Background score blends with the on-screen happenings wonderfully. Despite a run time of more than 2.30 hours, you never lose the narrative for a second. 'Babli', 'Laila' and 'Aala Re Aala' are foot-tapping and the presence of curvaceous women only acts as an eye candy. However, it's the items songs that catch your attention. Since the gangster flick is set in the 1970s and 1980s, the soundtrack is reminiscent of the music of that era. Although Gupta and Milap have worked several times in the past, SHOOTOUT AT WADALA is Milap's best work so far, after KAANTE. It won't be erroneous to state that the dialogue is one of the pillars of this enterprise. Every dialogue is delivered as a punch and there are times when you cheer and applaud the effort. The lines leave a remarkable impact without crossing the familial domain. Īnother aspect that stays with you is the dialogue. Unquestionably, it's one of the highpoints of the movie. The action - brutal, unrepressed and energetic - is clearly a notch above the recent films that depict the hero bashing up rogues like we swat flies and mosquitoes.
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Unlike some recent films, the action here is raw and real, reminiscent of the films of the 1980s. A large chunk of SHOOTOUT AT WADALA is devoted to high-voltage action sequences. In fact, the turn of events in the second half takes the film to its zenith. Although it takes time to settle down, the solid writing in the second hour keeps you on the edge. The second half of the film and more specifically, the final moments leave you awe-struck. But the sensitivity and ease with which Gupta balances the explosive and hot-tempered attitude of the gangster and the soft and affectionate persona gives the film that extra edge. While Gupta is synonymous with depicting machismo with flourish, tender moments such as these have been neglected in his movies, post HAMESHAA. It brings to the fore the humane aspect of a gangster who sent a chill down the spine in his prime. And it is this attribute in Manya's personality that sets it apart from other gangster movies. The cops launch Operation Manya Surve to curb his dominance…īesides encapsulating the rise and fall of Manya Surve, SHOOTOUT AT WADALA talks about the lesser-known aspect of his life: His love interest. Manya flees the prison, returns to Mumbai and forms his gang. SHOOTOUT AT WADALA narrates the story of Manya, who gets implicated in a murder case and is sentenced to life imprisonment. The saying, 'Form is temporary, class is permanent' holds true for Gupta, as he makes a scathing statement with his newest venture, taking rapid strides as a storyteller, coming up with a fare that balances form and content admirably. He returns with a vengeance after a sabbatical of almost eight years. His death.Īlthough Gupta has attempted volatile subjects in the past, SHOOTOUT AT WADALA is his most accomplished work as a raconteur. Much has been written about the dominance of several gangsters. SHOOTOUT AT WADALA primarily focuses on that one man who took on the powerful gangsters in his prime.
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Nor does it come across as a documentary. Not surprisingly, while Gupta retains the essence, he ensures he adapts the book delightfully, adding layers and fictionalized episodes, so that the outcome isn't dry, dark or depressing. It chronicles the lives of gangsters, gang wars and also talks of the first encounter killing of a gangster. Now Sanjay Gupta enters the dark alleys of 1970s and 1980s with SHOOTOUT AT WADALA, which is partly based on a book. Films like DEEWAAR, PARINDA, AGNEEPATH, DAYAVAN, SATYA, COMPANY, VAASTAV, GANGSTER, SHOOTOUT AT LOKHANDWALA and ONCE UPON A TIME IN MUMBAAI have left an indelible impression on the minds of cineastes. Gangster flicks - especially the ones depicting the underbelly of Mumbai - aren't new. Shootout At Wadala Review & Review Rating